Sun Valley Cyclone, another entry in the Red Ryder film series directed by the dependable R.G. Springsteen, tells the story of how Ryder got his horse, Thunder. These kinds of stories are classic; how Sgt. Preston of the Yukon got his dog King, how the Lone Ranger got Silver, and so on. I don’t know if there was ever a film that told the story of how Roy Rogers got his horse Trigger, but if there wasn’t, then Republic Pictures really dropped the ball.
When Sun Valley Cyclone begins, Ryder (Bill Elliott) is tracking a man who last went by the name of “Blake” in Wyoming, but has probably changed his name several times to evade the law. Ryder is accompanied, as always, by his pint-sized Indian sidekick, Little Beaver (Robert “Bobby” Blake). While discussing the issue with the sheriff of a sleepy Arizona town, Blackie Blake (Roy Barcroft) draws a bead on Ryder from his hiding place. Just in the nick of time, however, the black stallion Thunder rushes to Ryder’s aid, trampling Blake. Blake is basically uninjured, but the townspeople see only a killer horse that must be put down. Ryder intervenes, and says that Thunder must first receive a fair trial.
In the best Saturday matinee tradition, this trial comes in the form of a flashback that takes up most of the running time of the picture, and which tells the story of how Ryder and Thunder came to be acquainted.
When Theodore Roosevelt (played by Ed Cassidy) was putting together his Rough Riders, Ryder headed straight for the recruitment office. In the corral, he saw a black stallion. The horse breaker told Ryder, “He’s got a mean streak in him so deep and wide that nobody’s ever going to be able to ride him. He’s black as a thunder cloud, and as violent as lightning.” Ryder responded, “Well I’ve seen a lot of horses, but not any one of them as ornery as you claim that stallion is. Fact is, horses are like most people. You get to understand them, and they understand you, you get along somehow.”
Colonel Roosevelt arrives just as Ryder is being flung back and forth atop Thunder, but managing to stay in the saddle. Roosevelt admires the man’s bronc-busting ability, and says he’s only known one man in all his years who could break a horse like that. It turns out that Ryder and Roosevelt are old friends (who knew?), and the colonel decides that Ryder’s talents would be better served fighting range outlaws in Wyoming than waging war with the Rough Riders.
I really enjoy the Red Ryder series. Bill Elliott’s moniker of “Wild Bill Elliott” might have helped establish his western bona fides on movie posters, but he’s about the least wild actor I’ve ever seen. In fact, he’s so stolid that after watching him in several films, I can’t help but feel there’s a joke, and that he’s in on it.
For instance, after a long sequence in which the bad guys try to break Thunder, whip him viciously, and then watch him escape with the fancy new saddle belonging to black hat Dow (Kenne Duncan), the scene cuts back to the present, and Elliott, his arms crossed, says, “Of course, some of the things I’m telling you I got second hand. And a considerable time later.” And then it’s back to the flashback. His delivery is perfect, and it’s a funny line. Was it meant to be? It’s hard to say, but I couldn’t help feeling that if Elliott hadn’t died in 1965, he might have found work in Airplane!-style comedies with other deadpan funnymen like Leslie Nielsen, Lloyd Bridges, and Robert Stack.
Sun Valley Cyclone is an enjoyable picture, and not just because of Elliott’s impossibly straight-shooting persona. There’s also a delightful equine love triangle between Thunder, a white mare, and a paint stallion. Their story is told through body language, which means there are plenty of lips curled back from teeth on the part of the guys, and some come-hither hoof pawing on the part of the lady.