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Nobody Lives Forever (Nov. 1, 1946)

Jean Negulesco’s Nobody Lives Forever is far from a great film, but it’s crackerjack entertainment. Warner Bros. had been making crime pictures for 16 profitable years at this point. While the heyday of the Warner gangster film may have been in the ’30s, this is a fine example of the quality product the studio was still churning out in the post-war era.

The screenplay is by W.R. Burnett, whose 1929 novel Little Caesar was made into a film in 1931 starring Edward G. Robinson — the first of Warner’s great cycle of gangster movies. Nobody Lives Forever is based on Burnett’s novel I Wasn’t Born Yesterday, and while it may not be as significant as Little Caesar, it’s still a tight thriller with plenty of snappy tough-guy dialogue.

Besides the good script and excellent direction, the picture works as well as it does because of impeccable casting. When you’re looking for a hard-bitten but essentially decent con man, you can’t ask for a better protagonist than John Garfield. A kindly, doddering old mentor of cons named “Pop”? Who better than Walter Brennan? A sweaty, bug-eyed, paranoid louse named “Doc” who desperately needs one decent score to get back on top? Is George Coulouris available?

Garfield plays Nick Blake, a World War II veteran honorably discharged after being wounded in action. One of his hands doesn’t close quite right, but other than that he’s none the worse for wear. After his sidekick Al Doyle (George Tobias) picks him up from the hospital in Governor’s Island, they take the ferry back to Manhattan, where he reunites with his girl, Toni Blackburn (Faye Emerson). As she sings “You Again” in a swanky nightclub, Nick follows the mustachioed club owner Chet King (Robert Shayne) into his office to settle a beef over money. Rudi Fehr’s editing in this sequence is superb, cutting between Toni on stage, Al standing guard outside the office, and Nick bracing Chet inside.

After Toni finishes her number, Nick confronts her, then kisses her passionately, then smacks her in the face for double crossing him.

The action soon switches to California, where Al has gotten a line on a widow with a $2 million fortune, which — as Pop points out — is a lot of money, even after taxes. Nick, a handsome “diamond in the rough,” is the perfect candidate to pose as a shipping magnate and charm her out of her cash.

Unlike most long cons, Nick, Pop, Doc, Al, and the other members of their crew meet in smoky back rooms as if they’re planning a bank heist. The only problem with the job is that Nick actually starts to fall for the widow, Gladys Halvorsen (Geraldine Fitzgerald), who turns out to be younger than most widows, and a dish to boot.

When Doc pushes Nick to close the deal, he shoots back, “I’m not used to operating with a bunch of cheap, hungry chiselers who should be in the strong-arm racket. Big deals take time.”

Garfield has great chemistry with his co-stars, particularly the ladies, but the relationships take a back seat to the action, especially during the final climactic 20 minutes.

Sure, there are some holes in the plot, and there’s nothing deep about Nobody Lives Forever, but it’s a hell of a way to kill an hour and 40 minutes.

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One response »

  1. You described the movie perfectly. Not great, but a lot of fun. Garfield aces all the way. Ditto for Brennan and Tobias. Geraldine delectable in her demureness. And I loved the line, “Is George Colouris available?” Indeed, one of his most insect-like performances. Also loved Robert Shayne’s weasely night club owner. The earlier life of Inspector Henderson?

    I like the concept of your blog, too.

    Reply

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