Samuel Fuller didn’t suffer from sophomore slump when he directed his second picture, The Baron of Arizona. It’s every bit as good as his first film, I Shot Jesse James (1949), and boasts a great lead performance by Vincent Price and gorgeous black & white cinematography by James Wong Howe.
James Wong Howe is arguably the greatest cinematographer of black & white films of all time, and Fuller was lucky to get him at a low rate. The Baron of Arizona had a small budget and was shot in just 15 days, but it looks like an “A” picture. The cinematography is a big part of this, and Price’s pitch-perfect performance as a louche swindler is another.
Price plays James Addison Reavis, a real historical figure who attempted to defraud the U.S. government by forging land grants in order to take possession of more than 18,000 square miles of the central Arizona Territory and the western New Mexico Territory in the late 19th century.
Vincent Price is best known today as a horror icon, so many people forget that he wasn’t always associated with the horror genre. I always enjoy watching his early performances (and listening to him play “The Saint” on the radio), and the character he plays in The Baron of Arizona is perfectly suited to his talents.
Price was an actor who always seemed to be chuckling at a joke that none of the other actors in the film were privy to, and that quality works perfectly for the character he plays in The Baron of Arizona.
With just two films as a director under his belt, Samuel Fuller was already establishing himself as a filmmaker who could make entertaining, fast-moving, low-budget pictures that had hidden depths. Just like I Shot Jesse James, The Baron of Arizona uses the tropes of the western to turn an American myth on its head.
The Baron of Arizona takes the classic American idea of the “self-made man” and draws it out to its most audacious and unethical conclusion.