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Tag Archives: Nacho Galindo

Twilight on the Rio Grande (April 1, 1947)

Frank McDonald’s Twilight on the Rio Grande features Gene Autry and his co-stars being put through their B-movie paces south of the border.

Crime melodramas (we call them film noirs nowadays) were very popular Hollywood products in 1947, and Twilight on the Rio Grande incorporates several elements from them, such as the hero investigating the murder of his partner, lots of nighttime photography, a plot about jewel smuggling, and a beautiful knife-throwing señorita. (They showed up in noirs every now and then, didn’t they?)

Gene Autry (played by Gene Autry) and his ranch hands, Dusty Morgan (Bob Steele), Pokie (Sterling Holloway), and the singing trio The Cass County Boys, are all down in Mexico, singing in Spanglish and ogling the ladies. (If there was a deeper purpose to their visit, I missed it.)

The diminutive Bob Steele was a western actor whose star had faded by the mid-’40s, and he picks up a pretty easy paycheck in Twilight on the Rio Grande, since his character is murdered in the first reel, which I thought was a shame. I like Steele, and would have enjoyed seeing him and Autry solve the murder of Sterling Holloway’s character, Pokie, since the loose-limbed, rubber-faced Holloway is more annoying than a barrel of Jim Carreys.

The femme fatale of the film is the beautiful and hot-blooded Elena Del Rio (Adele Mara), who throws knives at Gene while he’s singing “I Tipped My Hat and Slowly Rode Away.” She throws one after the other into the wall behind him, in order to show him how angry she is. She has a steady hand, so she doesn’t hurt him. But then Gene shows her his steady hand when he finishes his song, throws her over his knee, and spanks the bejeezus out of her with the flat of a big knife blade.

Dusty is murdered with a knife in the back, and a smuggler Gene and his boys rope out on the prairie winds up with a knife in his back that could only have been thrown, not thrust at close range, so suspicions fall on Elena.

The title song is a good one, and was never released as a record by Autry, so if you’re a fan of his music, it’s a reason to see this picture. He sings two versions, a slow, mournful version at Dusty’s funeral, and a more upbeat version to close the picture.

If you’re not a fan of Autry’s music, there is really no reason to see this picture. It’s not terrible, but there are plenty of better B westerns out there.

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The Gay Cavalier (March 30, 1946)

With this film, handsome 40-year-old actor Gilbert Roland stepped into the role of the Cisco Kid, a Mexican bandit created by O. Henry in his 1907 short story “The Caballero’s Way.” Roland was the fifth man to play the role, after Warner Baxter (in four films, 1928-1939), Cesar Romero (in five films, 1939-1941), Duncan Renaldo (in three films made in 1945), and William R. Dunn, who was the first man to play the Cisco Kid, in the silent short The Caballero’s Way (1914). Roland would go on to play the Cisco Kid in a total of six films released by Monogram Pictures in 1946 and 1947.

In O. Henry’s short story, the Cisco Kid was a vicious and slippery bandit, but by the time Warner Baxter was playing the role, the character had metamorphosed into a noble caballero; a sort of Mexican Robin Hood.

Baby boomers will remember that on TV, the Cisco Kid had a sidekick named Pancho. The first iteration of this character appeared in the 1939 film Return of the Cisco Kid, and he was named “Gordito” (Spanish for “Fatty”). In The Gay Cavalier he’s called “Baby,” and is played by the Mexican actor Nacho Galindo.

Baby gets the first lines of the picture. While Cisco kneels beside a grave, Baby explains to one of his fellow outlaws (presumably one who has just joined the gang and, like the audience, has no idea what’s going on) that Cisco’s father was a notorious bandit. To make up for his father’s exploits, Cisco now robs from the rich and gives to the poor. It’s a clumsy bit of exposition, but no clumsier than most of the rest of the dialogue in the picture. When Baby decides that they’ve spent enough time at the gravesite and he wants to get going, Cisco tells him, “Time is a wonderful thing. It ages wine and mellows women.” Roland is the main reason to see the picture, especially for women who get all hot and bothered for the Latin Lover type. He can really sell lines like this, and not sound too ridiculous.

What Roland is mostly selling, of course, is S-E-X. But not so much that it might offend audiences, or disrupt traditional morality too much. In one scene, Cisco climbs up onto a lovely young señora’s balcony while Baby plays a little music down below. Eventually she reveals that she has a husband who is away on a fishing trip. Cisco responds, “Sometime, when I see your husband, I will tell him the fishing is much better here on land. Adios, beautiful.” He kisses her hand, leaps from the balcony onto his horse, and rides off with his crew and Baby, whose serenade is no longer required.

The Gay Cavalier takes place in California in 1850. The nice thing about old Hollywood westerns that take place in California is that the scenery is authentic, if nothing else. Martin Garralaga, the actor who played “Pancho” in the three 1945 Cisco Kid films with Duncan Renaldo, here plays Don Felipe Geralda, a man who has fallen on hard times. His youngest daughter, Angela (Helen Gerald), is engaged to marry a wealthy American named Lawton (Tristram Coffin), whose money will allow the Geralda hacienda to stay in the family.

Unbeknownst to the Geraldas, Lawton and his partner Lewis (John Merton) are up to no good. In the beginning of the picture, they ambush a wagon carrying a shipment of silver collected from poor people to build a mission in Monterey. They leave one man wounded but alive, and say loudly within earshot of the man, “All right, Cisco, we got what we want. Now we go.”

All of this plays out about as predictably as you’d expect. The enjoyment comes from the particulars. The sultry and beautiful actress Ramsay Ames plays Don Geralda’s eldest daughter, Pepita, and she sings a few numbers that Ames herself is credited with writing. Also, the action is well staged, especially the final showdown between Cisco and Lawton. As he demonstrated in a film I watched last year, Captain Kidd (1945), Roland is a hell of a sword fighter. He and Coffin go at it with no stunt doubles in evidence, although the film is sped up very slightly.

Also, unlike most of the actors who played the Cisco Kidd, Roland was actually Mexican. He was born “Luis Antonio Dámaso de Alonso” in Juarez, Chihuahua, Mexico, in 1905. He took his stage name from his two favorite actors, John Gilbert and Ruth Roland. He’s a very credible swashbuckler, and a lot of fun to watch, even though The Gay Cavalier is strictly a programmer.

One odd note, the DVD from VCI Entertainment I watched uses a print with a strange ADR issue. It didn’t take long before I noticed that every time someone said “Cisco Kid” it was looped in, and not well. I did some research, but couldn’t find exactly why this was the case. This was originally released as a Cisco Kid feature, and there would have been no restriction on using the name, so the prevailing theory seems to be that the film was dubbed for television release in the ’50s, and the character’s name was changed so as not to cause confusion with the Cisco Kid TV show, and one of those prints was the only one they could find, so they dubbed the original character’s name back in. Whatever the reason, it was weird and distracting.