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Tag Archives: Guy Trosper

Devil’s Doorway (Sept. 15, 1950)

Devil's Doorway

Devil’s Doorway (1950)
Directed by Anthony Mann
Metro-Goldwyn-Mayer

The great director Anthony Mann worked in a lot of different genres, but he’s most revered today for his noirs and his westerns.

Mann directed three westerns that were released in 1950. Winchester ’73 was the first one released in theaters, but he finished shooting both The Furies and Devil’s Doorway before starting work on Winchester ’73 with star James Stewart.

Winchester ’73 was far and away the most successful, and it’s still a favorite of western fans. (Mann and Stewart also went on to make several more highly regarded westerns together.) Devil’s Doorway remains the least widely seen.

There are a lot of reasons for film fans — particularly western fans — to see Devil’s Doorway. It breaks the traditional mold of the western by having heroes who are Native Americans and villains who are white settlers. It’s well written, tightly paced, and beautifully shot. It was also the last movie Mann made with cinematographer John Alton, who shot some of Mann’s greatest films, including T-Men (1947), Raw Deal (1948), and Border Incident (1949).

Like he did in Border Incident, Alton turns wide open spaces, big skies, and towering western mountain ranges into dark, oppressive spaces that seem to be closing in on the tiny humans who inhabit them. Devil’s Doorway is one of the best-looking black & white westerns I’ve ever seen.

Robert Taylor

My one real problem with Devil’s Doorway, and it’s a big one, is the casting of Robert Taylor as “Broken Lance” Poole, a Shoshone who served in the Union Army during the Civil War. Poole is a Medal of Honor winner who returns home to find that the land where he grazes his cattle is going to be overrun by homesteaders and sheepmen. Poole petitions to homestead his own land, but his petition is rejected because he is not an American citizen, but rather a “ward of the government.”

Hollywood has a long history of casting white actors to play non-white characters, especially if they are the lead of a film. And in this respect Devil’s Doorway is no different from the other big western released in 1950 with Native American heroes, Broken Arrow, which starred Jeff Chandler as Cochise. But I found Robert Taylor especially bad. At the time of filming, Taylor was pushing 40, but he looks a decade older. He also looks not at all Native American. At least he doesn’t put on a goofy accent or speak in pidgin English, but he still looks completely wrong for the role. When I was watching him, I couldn’t stop thinking about Jon Lovitz playing Tonto on old episodes of Saturday Night Live.

Aside from the presence of a miscast and aging matinee idol as its protagonist, Devil’s Doorway is a powerful western drama with beautiful cinematography and some stunning battle sequences. It’s definitely worth seeing, along with Mann’s other westerns.

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The True Glory (Aug. 27, 1945)

TrueGloryThe True Glory, which was released on August 27, 1945 in the United Kingdom and on October 4, 1945 in the United States, is the granddaddy of every World War II documentary you’ve ever seen on the History Channel. Introduced by the Supreme Commander of Allied Forces in Europe, Gen. Dwight D. Eisenhower, The True Glory tells the story of America and Great Britain’s war against Germany and Italy, starting with the D-Day invasions of June 6, 1944 and ending with V-E Day, May 8, 1945.

The documentary, which won an Academy Award, was pieced together from hundreds of different war photographers’ footage. Several directors worked on the film, but the most commonly credited are Carol Reed and Garson Kanin.

There is some narration, but the majority of the film is told through first-person accounts in voiceover. There are a myriad of British and American soldiers who tell their stories, but there are also the voices of a Parisian family, nurses, clerical staff, an African-American tank gunner, and a member of the French resistance. If you know your World War II history and keep your eyes peeled, you’ll recognize many prominent figures in the footage, including Gen. Eisenhower and Gen. George S. Patton.

Produced by the British Ministry of Information and the U.S. Office of War Information, The True Glory lacks a certain degree of perspective, coming so soon after the end of the war, and is primarily made to celebrate the accomplishments of the Allied forces, but that doesn’t change the fact that the footage is absolutely stunning, and occasionally horrific. The True Glory is a must-see for even the most casual of history buffs.